Metropolia Year Two - An Update

It’s the end of May and also the midpoint of my studies at Metropolia University of Applied Sciences. This last spring semester has been - to put it lightly - an interesting one. Moving to a completely work from home system has had its share of benefits and issues. In terms of personal growth as a pedagogue I feel that my teaching material has improved a lot and online latency has made me more systematic and calm with my teaching. Online teaching has also its downsides as well. The latency voids any capability of playing the instrument together simultaneously with my students and also correcting posture and technique related issues are harder without a clear view of the player in hand.

As a pianist, a keyboardist and a musician looking back two years, my development is clear. The long term growth is much easier to see than the short term one in hindsight. That mindset should also be applied when planning for the future. I have learned myself about block chords, upper structures, drop 2 voicings and lower interval limits just to name a few. My sense of rhythm and pitch has improved also with a sharper ear for timbral balances.

Metropolia has been a mixed bag with in terms of course quality. Some teachers are highly qualified professionals with a passion for teaching but some are less passionate about teaching and it shows in the prepared course material and non-systematic lecture plans. As a person studying pedagogy it is vital to observe and study my own teachers as well as I reflect on my own teaching. One needs to knowingly build its own teaching philosophy based on the good and bad previous experiences.

I have been forced to get out of my comfort zone but it is the only way for self-improvement. Playing certain genres or doing novel things is uncomfortable but very vital. Unfortunately my mid-study piano exams were moved to the following fall. I get to practice my parts more but will be lacking band rehearsals. The repertoire I am required play includes two jazz tunes before and after the 1950’s, two latin tunes (preferably one cuban and one brazilian), two pop, rock and r&b songs, two traditional dance songs and two solo piano pieces so that would be 12 in total. I have selected all the pieces so I just need to practice them for the next three months.

Overall I would rate my experience at Metropolia to be a positive one but not completely. The indoor air issue has been a problem for years and with myself being exposed to it for the past four years I do feel its impact. The equipment quality in the facility have a high variance from pristine grand pianos to sticky and worn out dated mid to low range keyboards from 20 to 30 years past. Some courses are incoherent messes and some are clear and concise. In a rating from one to ten I would give Metropolia a seven in my books however I do recognize that study experiences are very personal and are affect by demands and expectations.

Africa for April

On the 11th of February 2018 I went to see Toto, one of my favorite bands live at the Helsinki Ice Hall. Even though the band showed some signs of aging it did not have an effect on their ability to play.  Toto has a long history and it shows in their discography and number of band members over the years. Founded in 1977 Toto toured their 40th Anniversary show featuring 40 different cities. The show ended with their biggest hit Africa which is a favorite with musicians and listeners alike.

The reason for the popularity of Africa might lie in it's clear arrangement, catchy pentatonic licks and the infamous vi-IV-I-V progression. It's exotic enough for the average listener by having more uncommon timbral choices and not alienating anyone with tense harmonies or complex rhythms. Tight groove by Jeff Porcaro, memorable vocals (though silly lyrics) by Bobby Kimball and David Paich and the iconic synth brass riff by Steve Porcaro. It's a classic from the 80s for a reason.

Modal for March

Modes were for the longest time a mystery for myself. Coming from a classical background the theory taught behind them was vague and the application even more shrouded. But after making the connection between chords and modes I got the hang of them. For the past few years I have been developing an ear for picking out the characteristic notes of the modes. 

Modal music developed in the 50s as musicians explored the realms of non-functional harmony and one of the famous recordings from that era was the album Kind of Blue by Miles Davis. Classic piece for learning about the dorian mode is the tune So What from that album. It also has the famous quartal minor 11 voicing for the piano.

My song recommendation for March is So What by Miles Davis

Funk for February

Vulfpeck is a group from Michigan that carries the legacy of the 70s. Jack Stratton's minimalistic compositions fill the 16th grid with only what's necessary. Personally through the lens of a keyboardist the band is a joy to listen to. Sonically Hammond, Wurlizer, Rhodes and an upright piano sends me back to the days of Motown and V-VI-I melodic motifs don't hurt either. 

Groove is what makes or breaks a funk piece. Bass player Joe Dart makes sure that the audience does not miss a beat with his neck bobbing basslines and phrasing. The song Dean Town is a clear reference to a tune Teen Town by the Weather Report and both Vulfpeck and Weather Report have virtuostic bassists (Jaco Pastorius in the latter).

My song recommendation for February is Animal Spirits from the album The Beautiful Game.

https://open.spotify.com/track/1SHA4IJyiyNobDOrQzFFXy

 

Vision

Nettisivujen tarkoitus on luoda omaa muusikon nettiprofiilia sosiaalisen median ohella. Sisällöllisesti tuotan blogikirjoitusten lisäksi äänitteitä, transkriptioita, kuvamateriaalia ja ylläpidän keikkakalenteria. Eli luon portfolion muusikko Olli Niemelän profiilista.

Tarjoan myös esiintymis-, transkriptio-, valo- ja synaohjelmointipalveluja. Ota rohkeasti yhteyttä!

It's alive!

 

Ensimmäiset omat nettisivut ovat vihdoin pystyssä ja kevään projektit alkavat myös aueta. Tiedossa on treenejä ja keikkoja viidellä eri kokoonpanolla. Vuoden 2018 musiikkikattaus täyttääkin rockin, jazzin, popin ja rnb:n määritelmät eli monipuolista tekemistä on kyseessä.

Viimeinen kevät on Pop&Jazz Konservatoriolla tiedossa eli haut jatko-opiskeluihin lähenevät. Tähtäimessä on Metropolian musiikkipedagogin linja ja ennakkotehtävät tulevat pian saataville. Pitäisköhän sinne jotain opistomusaa laittaa...

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UpEleven viettää sadatta keikkaansa siviilissä Vantaalla Tulisuudelmassa 24.3.2018.

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